Lord Belial

   
Artist: Lord Belial

   Genre(s): 
Metal: Death,Black
   Rock
   

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Discography:


   
 Nocturnal Beast

   Year: 2005   
Tracks: 11


   
 The Seal of Belial

   Year: 2004   
Tracks: 8


   
 Scythe Of Death

   Year: 2004   
Tracks: 4


   
 Purify Sweden (Ep)

   Year: 2003   
Tracks: 2


   
 Angelgrinder

   Year: 2002   
Tracks: 9


   
 Unholy Crusade

   Year: 1999   
Tracks: 10


   
 Enter The Moonlight Gate

   Year: 1997   
Tracks: 8


   
 Kiss The Goat

   Year: 1994   
Tracks: 10

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Swedish shameful metallic chemical element band Lord Belial was formed in 1992 by singer/guitarist Dark, guitar player Vassago, bassist Bloodlord and drummer Sin. The stria soon recorded its low gear demonstration, The Art of Dying; its 1994 continuation, Into the Frozen Shadows, landed Lord Belial a get with the No Fashion label, and a year subsequently they issued their proper debut LP, Kiss the Goat. The long-delayed Enter the Moonlight Gate followed in mid-1997, by which time Lord Belial had toured their native land double and headlined in Germany; tours with Dismember, Disfear and Satanic Slaughter preceded the 1999 release of Unholy Crusade.





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Bugz In The Attic

   
Artist: Bugz In The Attic

   Genre(s): 
R&B: Soul
   Trance
   

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Discography:


   
 Back in the Doghouse

   Year: 2006   
Tracks: 16


   
 Fabriclive.12

   Year: 2003   
Tracks: 14


   
 Present Family Factory

   Year:    
Tracks: 4

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Bugz in the Attic is an all-star broken thump gang of DJs and producers based in West London -- a corporate that includes (just isn't special to) Afronaught, Seiji, Daz-I-Kue, Kaidi Tatham, Mark Force, and Alex Phountzi. Whether lonely, together, or involved in their many sliver projects and one-offs, the members of Bugz in the Attic have likely played a role in well all over half (if not a higher portion) of the releases that lav be categorised as broken beat. The group has besides





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Artemiy Artemiev

   
Artist: Artemiy Artemiev

   Genre(s): 
New Age
   Electronic
   Ambient
   Other
   

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Discography:


   
 Mysticism Of Sound

   Year: 2000   
Tracks: 4


   
 Dreams In Moving Space

   Year: 2000   
Tracks: 5


   
 Point Of Intersection

   Year: 1997   
Tracks: 5


   
 Cold

   Year: 1997   
Tracks: 8


   
 The Warning

   Year: 1993   
Tracks: 2


   
 Five Mystery Tales of Asia

   Year:    
Tracks: 5

---

Russian composer Artemiy Aremiev has applied his sympathy of extracting spiritually moving atmospheres from the most mechanically nice electronic on the hemorrhoid of more than 50 feature films, and produces an vanguard music program named Electroshock therapy. His male parent Eduard is a illustrious composer of lots in his sustain right, having worked with Tarkovsky on the 1972 photographic moving picture Solaris. Besides his work on soundtracks, Aremiev has released several albums on his have Electroshock label.

Death on Demand - movie review

The scariest thing about Death on Demand is that cast directors, producers, and studio
executives watched these actors perform, and for whatsoever reason, thought they were
good sufficiency to appear in this movie. At the time, were these decision makers under
the influence of alcohol? Narcotics? Or did they actually think audiences would buy
these citizenry as playing artists?



Death on Demand rehashes the House on Haunted Hill rule in which an smorgasbord of characters
is bribed to pass the night in a haunted mansion. The suborner is a college student
named Richard (Dan Falcone), who borrows money from his loaded father to arrange
a web-broadcast contest on Halloween night. He offers $5,000 to three youth couples
to sleep over in the former family of a deranged killer. It's all going to be tape-recorded
and broadcast live on the World Wide Web.



The participants include iI college football game players and their girlfriends, as well
as a computer geek. To spiciness up ratings, Richard hires a smut star to join the contestants.
The broadcast on Halloween begins as the group jestingly conjures the spirit of the
killer. It isn't long, however, before aforesaid spirit returns and is thirsty for fresh
blood.



The film doesn't have much to say, and doesn't even sound out what it does very well. The
writing is unoriginal and bland. The pacing is slack. The special effects are punk.
And the production values scream "no budget." But even if Death on Demand did offer something
of quality, it would be out of the question to get hold of seriously when the actors seem as if they're
reading from cue cards just off camera. Imagin an author missspelling his werk, no
mattre how thourough and intelligent it is. [Typos intended. -Ed.] It genial of discredits
evrything he says, deosn't it?

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